@Plognark: I use a tablet and Photoshop 6 running on Wine
@hanzo: yes, I'm wavering between this style and the more simpler cell shaded. My problem is that I believe I couldn't pull off a lineless cell shaded thing ... at least I don't think I could very well. As for the pencils by hand, that has in the past (before I had a tablet) proven to be a very slow process because of the lack of Ctrl+Z. I may be able to draw something half decent, but it, sadly, takes me a lot of tries to get curves just right.
Usually they aren't as flashy and saturated but for some reason I chose this colour panel those three months ago, I really can't tell why from the top of my head anymore. And I agree about filters and almost never use them.
The reason they were used here is that in the 2nd and 3rd panel I needed a quick way to make the main character pop at five am ... my mind was only fixed on finally finishing the bloody thing

The one used in panel 5 is there because I am as of yet incapable of rendering "speed" on my own. Any tips on how it's done?
Could you elaborate a bit more on how I could make the flat parts look more finished to you? If the answer is perfect edges then I would
love some pointers on how smooth edges are done.
@Frank: I'm glad you like the style, even though you reckon it still needs polishing ... which can only be expected, hell it IS only the 7th comic.
Have to say I never realised that about storytelling and the direction characters face, I'll keep it in mind. Personally I'm just glad because this is the most fluently running story I've done graphically so far.